It is the story of a powerful family of the Chilean high aristocracy in the decade of the 50's. A clan led by the fearsome Armando Quiroga, where intrigue, suspense and romance build a story of passion in times of hypocrisy.
In a world of crime, violence and dangerous alliances, a betrayed woman rises as its ruthless queen. Anastasia Cardona will make of paradise a territory of her devise, her whims and her orders.
"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a film screening room as she conducts a workshop for children under the auspices of the Catholic church. The hundred or so children involved had never seen a movie, and in the workshop they se...
NEWS is an observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media. By means of a radical approach to journalistic and anti-journalistic facts, the film puts into play the ways in which collective truths are made.
修复版,一个意大利传教士在智利拍摄的原住民生活景象,和自然,动植物等.
Early in the century came to Tierra del Fuego, an Italian priest named Alberto Agostini. His love for these southern lands and inhabited by those who led him to shoot with a camera of the era extensive records of landscapes, peoples and individuals.
The material-was rescued recently-gathered on this DVD, in the same condition was found. That ...
Bilis negra es un autorretrato experimental que se interroga por la construcción de lo femenino. A partir de la apropiación de archivos del cine negro emprende una búsqueda para reescribir a estas imágenes, liberarlas y dejarlas que fracasen. Este proceso es expandido en una exploración web de notas y archivos en torno a la construcción de la obra, los Archivos negros.
An afternoon in the woods. Every camera movement a stroke of a brush. An impossible painting. Never completing itself, always starting anew.
In the middle of the Atacama Desert, the inhabitants witness the decline of saltpeter industrialization, right in the driest geographical point in the world.
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
The filmmaker tracks her f...