Asyl is one of Kren's most formally ambitious works, an experiment in time lapse photography, multiple exposures, and segmented images. When he moved to a home in the country, Kren set up a static camera nearby, and over the course of 21 non-consecutive days, he fed the same strip of film stock through the camera once per day. In front of the lens, Kren also placed a masking bo...
People play, enjoy and make love in the dynamic and positive universe created by South American filmmaker, artist and film theorist Jyoti Mistry (Cause of Death), using found footage from European film archives, particularly Amsterdam’s Eye Filmmuseum. This is an unfettered celebration of the body and of love, in scenes of men playing sports, women bathing, and scenes of lovema...
Iconic actor Christopher Lee died in virtually every other role he played. Jan Soldat’s nerdy short film compilation lines up one death after another and, amid this involuntary stream, reveals entertaining gems and various connections as well – not only those relevant to the advance of Lee’s acting career.
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Benjamin Heisenberg devotes his time in ER SO SIE SO to recounting a moment that could have altered the lives of two people forever.
In this work the situation of shooting film as experienced by the subject and filmmaker is most clearly visible in the loving and then hurt facial expression of the mother, who in the end disregards the filmmaker′s instruction and disappears from the picture. The variety in the characters′ reactions is made apparent by the way the father, who doesn′t show his feelings, "sticks ...
The first film of cinematographic history shows workers leaving a factory. The title of this work which is 50 seconds long and bequeathed to us by the Lumière brothers is La Sortie des Ouvriers de l'Usine. There are three known versions of the work. In the hardware and software of the cinematographic 'machine' resides much of the specifically mechanical charm of the industrial ...