September 24th, 2016, North Avenue Beach, Chicago. It was a sunny day. According to the weather report, the temperature was 75°F, with the barometer reading of 30 inches height and the wind speed of 13 miles per hour. The time was 2:27 pm, I was standing by the Michigan Lake. In my hand there was a waterproof camera that weighs 2.6 ounces. I pressed the record button on the cam...
A hot summer day on a country road. A young woman in her bridal dress gets kicked out of a car. Lost and frustrated, she wanders off across a sea of grass into a dark wood - and discovers an abandoned house. Tired and worn out, she lies down on a bed. When she is awakened from her nap by a clap of thunder, she sees a cup of steaming hot tea and a package on the floor. She opens...
Reminiscent of the work of Japanese mastermind Takashi Ito, Karissa Hahn’s Please step out of the frame. uses Super 8, a desk, and a laptop to create a playful choreography of body andscreen.
在1993年阿布哈兹内战中，格鲁吉亚儿童及其家人被迫逃离他们的家乡索胡米。逃避战争，他们走向未知。在这幅富有诗意的动画照片拼贴画中，亚娜·乌格勒赫利兹描绘了孩子们的可怕经历，同时也承认了他们对温暖和安全的渴望。她画出无法形容的画面，这需要仔细观察孩子们的痛苦。
In the 1993 Abkhazian civil war, Georgian children and their families are forced to flee their home town, Sokhumi. Escaping war, they head into the unknown. In this poetic animated photo collage, Yana Ugrekhelidze depicts the children's terrifying e...
To mark his ninetieth birthday, EYE has restored Zwartjes’ very first film, originally shot on Super-8 and long thought lost. Zwartjes started his career as a violinist and visual artist. He took photographs, made music and built instruments – but only really broke through with his equally craftsmanlike films.
Like the art cinema of David Lynch or Luis Bunuel (not to mention Harrington's most immediate influence/mentor, the long-venerated celluloid poet Maya Deren, whose 1943 short Meshes of an Afternoon clearly turned the budding filmmaker Harrington on to the medium's wider-than-imagined possibilities), Harrington's films aren't abstract so much as they, very much like a dream (the...
