The double, the shadow of the subject, refers to the paradox that is at the heart of the human condition: the uniqueness of the viewer and looked, the voyeur seen.
Filmed back from New York in Paris in the winter of 1998, this film brings us back to earth, frame by frame, a meditation on the return that focuses our gaze surreptitiously on ourselves.
In "Faux Mouvements", forward and backward motions occur together, movement in different directions are combined. We perceive motion in images that are in fact still. We can also see references to the spiral of the film reel, and the negative and positive of the film process.
“在马德里的狂欢节上拍摄。电影的主题由西班牙语标题提出。从“roda”开始，我保留了两个相互关联的含义：圆周运动和电影拍摄。至于“Morfosis”，它与变形的概念有关。我想用整个词来暗示现实的变形（地点和人物）在一个所有东西都在旋转的运动中：相机上有什么，相机本身和里面的胶卷。”
Produced during his studies at Le Fresnoy, an important French film school and artistic research lab, “A Guest + A Host = A Ghost” is based on an aphorism created by Marcel Duchamp in 1953 that Jorge Jácome develops with the use of human hands and of his incalculable capacity for expression and sensory perception. Throughout a series of frames, with a camera that moves hesitant...
Poème électronique (English Translation: "Electronic Poem") is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World's Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. Le Corbusier came up with the title Poème élec...
This short Christmas Card, inspired by the classic 'Rudolph the Red Nose Reindeer' is part of an omnibus of festive video gifts from Bistrik 7.
BOUQUETS 21-30 (2001-2005) is a part of the ecological BOUQUETS series, consisting of one-minute films composed in the camera by weaving the characteristics of different environments with the activities there at the time. The filming basically entails using the film strip as a canvas with the freedom to film frames on any part of the strip in any order, running the film through...
The procedure of separating and extracting certain aspects of a scene by adjusting the focus of a series of frames in succession according to various organizational patterns is developed in Retour d'un repère in a particular way. While the filmic operations are structured in relation to a limited space (a branch over a 19c duck pond), the filmic process rests on a visual transf...
Strand spent over twenty years documenting her friend Anselmo Aguascalientes’ life, eventually creating a stunning trilogy of films—Anselmo, Cosas de mi vida, and Anselmo and the Women—tender portraits that are also glimpses into poverty, resourcefulness, perseverance and patriarchy.
