普罗辛内茨基、博班、米亚托维奇、萨维切维奇、米哈伊洛维奇、苏克……
生于同一个国家，在同样的足球梦想下成长。
1989年，他们一起参加了在智利举行的世青赛并赢得冠军，他们一起为南斯拉夫国家队效力到1990年，直到他们的国家解体……
1999年欧锦赛小组赛，克罗地亚队和南斯拉夫队在资格赛中相遇……
纪录片关于几十年前的那个黑暗的社会体制下，一群人是如何用电影去反抗**的暴力和压制，他们即被后来者称为南斯拉夫”黑浪潮“一代。
A profound insight into history of Yugoslav cinema through censorship perspective. How did famous anti-communist movies from Yugoslav time succeeded in being made and what consequences did they had to bear Film contains original interviews with most important dissident filmmakers from communist time, including Dus...
In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudovi Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive The answer to this qu...
After 45 years of single-party communist rule in Serbia, political parties gained legal status in 1990, and the first multiparty elections in Serbian history were held. Four ex-presidential candidates, today’s misfits, bring back memories of the elections and relive that crucial event, not realizing that they played only supporting roles.
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An idiot for some, a genius for others. Zoran is an urban legend of a Serbian block of flats who allegedly travelled the whole world without a single ID on him. After that, he went nuts due to politics, war and MDMA. “I saw it with my own naked eye,” nodded a half-blind old man. Though a clear answer to the question who Zoran really was is not to be expected at the end of this ...
After losing his dog, an eccentric artist from Belgrade embarks on a journey to look for his pet. Throughout his quest, we will get to know a number of strange characters. The filmmaker’s humorous approach opens up a dialogue about different philosophical questions related to art, representation, identity, nature, history, ethics and politics.
The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Over the past twenty years, thousands of young people were recruited in North Macedonia to work in the kitchens and laundries of the US military bases in Afghanistan and Iraq. Their wages were then invested by their families back home in the construction of small palaces and lucrative real estate. With the withdrawal of the last troops from Afghanistan in 2021, many of them ret...
Peter Handke received the Nobel Prize for Literature in October 2019 in Stockholm. Having heard about it, Srdjan Petrovi – a winemaker from the Serbian village of Velika Hoa in Kosovo decided to place a commemorative plaque with an embossed portrait of Handke in his wine shop, that the famous writer had visited on a number of occasions. But is the winemaker aware that Handke’...
Cultural Worker 3 in 1 is a documentary film about the role of the left-oriented independent cultural-artistic scene and cultural workers in the region of ex-Yugoslavia. Following the life and work of several characters in four cities of former Yugoslavia the film explores two issues – what it means to be a cultural worker in post-socialist contexts of Skopje, Belgrade, Zagreb ...
“行为艺术教母”玛莉娜（Marina Abramovi）离乡南斯拉夫贝尔格勒40年，在世界各大城市表演都吸引百万人次观赏，都愿意排队等上数个小时，只为换来一对一的凝视关系。此次回乡苦乐参半，十年来聚集一群年轻艺术家，跟着她一起表演，英雄崇拜和渴望伴随着经验，继承她的灵魂与志业。
电影开始时，玛莉娜说：“我来自于南斯拉夫一个黑暗的地方。”多年后，这位塞尔维亚的行为艺术终于能重回她的家乡到贝尔格勒，这段旅程带领我们到了各个城市，包括她的巡回展览《清洁者》。
艺术家透过此片回顾了自己与祖国，父母和自己身体之间的动荡关系，并回顾了她如何跨越国家之间以及创作者和观众之间的边界。她的作品也在电影画面中如实呈现，此外电影也出现了年轻表演者诠释她的表演，如雨后春笋一样，这些年轻表演者就像她的孩子一样，他们继承了“母亲”的遗产。
What do the Algerian war of liberation and Yugoslavia have in common Stevan Labudovi. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudovi helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. Thi...
