SFR Yugoslavia for Beginners (SFRJ za poetnike) is a documentary show that consists of 16 episodes. Each episode tells a couple of stories about the phenomenon of Yugoslavia and the everyday culture of the country that existed from 1945 until 1991. It combines humor, sarcasm, nostalgia and does that with clips from the past, as well as during interviews with important figures ...
Punk's not dead is a remarkable black-comedy by Vladimir Blazevski. It is about a reunion of old punk band. Mirsa is a punk who is trying to put up with the struggles of everyday life in Skopje. One day he was offered to play for some multicultural-happening in Debar. Actually, all he ever wants is to play again with his punk band, so he accepts the offer. The next step is to f...
In a society where almost everybody farts backwards, six stubborn, proper-farting citizens pay a harsh price for being resolute to stay ing true to their own values.
The lives of a gynecologist, a junkie, a hikikomori, an Asperger’s, an ad man, a video store clerk, and a corner shop philosopher intertwine in three tales of love, friendship, and commitment.
Eva and Metodi are young, rich and successful. He wants to have children, but she fears pregnancy. One day Eva drives to the village her family came from. There she arranges for a relative with intellectual disability to move in with them. She has a plan.
Danche and Caramba live in a crumbling house below Eva’s and Metodi’s luxury high rise. They are late middle-aged and feelin...
MY LAKE, or "my movie", although it is a cinematic narrative in itself, is quite simply an ordinary story, natural for its extraordinary reality, unnatural for Albanian society. For about three decades this same leitmotif has continued played out in one form or another. Drug trafficking, money - Children are born and raised with an atypical moral code where making money to lift...
十七世紀,不孕的農家女與丈夫為了懷孕而求助神祕老嫗,允諾讓贈第一個孩子。然而孩子出生後,伴隨新生喜悅而來的,還有深深的懊悔,不想遵守承諾的他們,從此陷入鬼魅糾纏的陰影;二十一世紀,一場車禍讓布蘭柯遇見羅多娜,愛情為貧賤生活增添甜美滋味,卻無法抵禦受孕的心力交瘁,當雙胞胎之一被診斷異常時,拿掉與留下都是撕裂;不孕的凱特琳娜收養五歲男孩,但孩子不說話,穿不透的眼神與奔向死亡的行徑都讓人恐懼,如果你的孩子不是你生的孩子,是否還能跨越隔閡成為母子?
睽違多年,米丘曼契夫斯基再度重返馬其頓拍片,以三段從中世紀到現代的故事,訴說母性與生命的喜悅哀慟。精巧的劇作結構,讓角色心境與故事主題時而跨越疊合、時而映襯對照,命運與抉擇彼此緊密相扣、層層堆疊,終至爆發撕心裂肺的傷痛與和解。影片除了一展馬其頓文化的神祕內斂性格,絕美影像在自然風格中帶出視覺對比,輕觸魔幻寫實氣息...
三十二岁的佩图尼亚身材微胖、相貌平平,空有一张历史文凭却毫无工作经验,面试再度失利还被男主管狠狠羞辱。在返家路上,佩图尼亚遇上男士限定的年度主显节“泳渡夺十字”大赛,抢到十字架的人将获得一整年的好运。神父在吟唱时失手提早开赛,上百位教徒壮丁争相跃入冰冷河水,万念具灰的她也不假思索地跳河奋游,竟破天荒抢得头筹。男性群起愤慨、神父大喊亵渎,一切随着网路影片疯传越演越烈,警方、记者、家人、朋友全都作对,这场前所未见的闹剧该如何解决?
启发自马其顿的真实事件,导演以强烈的影像,幽默讽刺的口吻,透过精准的女性特写,大胆批判马其顿的性别不平等,冲撞保守的宗教戒律,更呈现出司法和媒体的种种乱象。特立独行的佩图尼亚,仿佛是上帝派来考验那些陷入疯狂的世人,缩影了整个荒谬社会,成为一则当代警世寓言。