第十五届亚运会闭幕式将于2006年12月15日当地时间19点(北京时间12月16日凌晨0点)在多哈哈利法体育场举行,广州市长从亚奥理事会主席法赫德亲王手中接过亚奥理事会会旗,下届亚运会四年后在广州市举行,中国女篮队员陈楠担任闭幕式中国代表团旗手,闭幕式上演广州10分钟表演。
《战争,爱情,上帝与疯狂》是一部由穆罕默德·达拉吉( Mohamed Al-Daradji)于2008年执导的纪录片,其上映时间为83分钟,以伊拉克战争为基础。它记录了那场战争期间在伊拉克拍摄电影《Ahlaam》的努力。
2020 年 8 月 4 日,贝鲁特地区的城市港口发生大爆炸。彼时,穆尼亚·阿克 (Mounia Akl) 正在制作她的首部长片《黎巴嫩的布拉瓦海岸》(Costa Brava, Lebanon, 2021),尽管面临重重困难,但她仍旧决定继续拍摄,最终得以完成。
然而戏外创作团队的现实比电影中的反乌托邦设定更为严峻:爆炸后的黎巴嫩市民示威越趋激烈、疫情的隔离措施令拍摄不断延期、货币贬值令经费更为紧绌。导演记录了《黎巴嫩的布拉瓦海岸》的制作团队如何锲而不舍,排除万难完成电影,见证拍摄过程比电影本身更为戏剧化。影片荣获 2023 卡罗维发利国际电影节评审团特别表扬奖。
Le média qui donne de la voix à ceux qui n'en ont plus, c'est la radio. Au nord de l'Irak, sept jeunes journalistes, musulmans, chrétiens et yézidis, tendent leurs micros à ceux qui veulent la paix. Ils travaillent pour Radio Al-Salam, antenne affranchie d'influences politiques et religieuses. En toute liberté, des voix s'élèvent sur les ondes et font renatre le lien au sein d...
"Chopin. Nie boj si ciemnoci" to dokument, splatajcy historie trzech wybitnych pianistów, których poza pasj do muzyki Chopina cz trudne dowiadczenia historyczne, odciskajce pitno na yciu spoeczeństw. W filmie mamy szans pozna historie opowiedziane przez Leszka Modera, Wona Jae – Yeona oraz Faresa Marka Basmadjiego. Stajemy si te uczestnikami wyjtkowych konce...
IN FIELDS OF WORDS: CONVERSATIONS WITH SAMAR YAZBEK questions how words and images represent war and violence. The spectator experiences the production of language through the renowned exiled Syrian writer’s works that bear witness to the Syrian tragedy.
All that is left from the relationship between Rachid and Mariam, Ahmed Ghossein’s parents, is a large number of radio cassettes sent as love letters during the Lebanese civil war. Using these tapes together with images from the present and the past, “My Father is Still a Communist” creates a unique space where an intimate diary is transformed into a work of collective memory.
Afric Hotel (VdR 2011) focuses on migrants from Sub- Saharan Africa transiting through Algiers. One of them is a lift operator—always with a book in his hand—, another is a shoe- maker and the last works in construction. Hassen Ferhani and Nabil Djedouani’s camera follows these protagonists who are all too often ignored as they interact with the people of Algiers.
A panoramic shot over the terraces of Algiers. The camera zooms in and out, seeming to unexpectedly capture the private daily conversations of the inhabitants of Algiers. With this short essay, the filmmaker wants to show "Algerian society’s openness to the world and to modern ways, as well as its contradictions with regard to traditions.”
To the west of Seriana, the world stops turning for an instant under the heat of the sun, due to a flat tyre... This film is part of the Minutes 2016 collection initiated by the GREC (Groupe de Recherches et d’Essais Cinématographiques) created in 1969 by Jean Rouch, Pierre Braunberger and Anatole Dauman to support the creation of first short films.