故事发生在波黑战争之后的萨拉热窝,城市荒凉社会荒唐,毒贩随处可见,枪支管制松散,街上罪犯追警察,连国旗也被换成裤子升起.
就在这一个一切都四分五裂的地方,两名腐败的警察决定发一笔乱世横财:绑架富豪的女儿再假装正义的把她救下,以此得到富翁作为报答的丰厚酬金.为不亲自露面他们找到了影片男主角--邋遢,穿着松松垮垮嘻哈衣服,呆头鹅一般的青年小混混Fikret,而此刻的Fikret也正因有人在父亲的葬礼上称其父欠下巨债而为筹钱伤透脑筋,于是答应了警察的要求,并叫上自己的朋友Tiki一起行动.而这个看似简单的绑架勒索却因Fikret, Tiki, 和被绑的女孩儿的种种关系完全偏离了轨迹,整个故事因此变得不可预料又极富黑色喜感.影片情节丰满紧凑,出人意料,全片rap配乐,节奏感强烈又显得玩世不恭.
Zlatan hasn't been in Bosnia since he fled the war in 1992, but now his daughter want to know more about her roots. But Anja doesn't know too much about her fathers roots either. How can he tell her about his past Will she understand
兹纳坦自1992年因战火逃离波斯尼亚后便没再返乡，但如今他的女儿渴望寻根。而女儿安雅对父亲的根也知之甚少。兹纳坦要如何给女儿讲述他的过去？她会理解吗？
Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing comp...
Dark and melancholic reflection on the Srebrenica massacre and the tragedy’s reverberations in the half-empty city, where three of the survivors each bear the heavy testimony of the past.
Featuring footage from a ceremony held 20 years after the genocide in the Bosnian town of Srebrenica, ‘Disturbed Earth’ opens the door to a dark chapter in modern European history. A truck dec...
贾比尔、乌萨马和乌塞尔是牧羊家庭的三兄弟。他们在父亲的阴影下成长。父亲易卜拉欣是个严厉的伊斯兰传教士。易卜拉欣被判入狱两年，三兄弟突然只能靠自己了。没有父亲的严格管教，他们的生活发生巨变。兄弟们在成长为男人的道路上摸索着新获得的自由。他们挣扎、打架、直面对方，三人不同的个性在我们眼前展现，成长的过程从未如此亲密、让人疲倦。《兄弟手足》是一次从男孩成长为男人的探索，三人在此过程中寻找自我和爱。
In 2008 und 2009, Clarissa Thieme travelled through Bosnia-Herzegovina and set up her camera in places where war crimes had taken place in the 1990s. Those trips resulted in the short film Was bleibt | Sta ostaje | What remains (Forum Expanded 2010). Now she returns to these locations and sets up her camera in precisely the same spots, with two women carrying a still from the f...
1992年萨拉热窝围攻期间：一群武装人员沿着密尔杰卡河岸行走。一个人被引走了，他们一起过河。邻近的Grbavica区即将被塞尔维亚人占领。这段录像是一名男子在不知道持枪男子是谁的情况下从邻近摩天大楼的公寓中拍摄的。他们是塞尔维亚人，波斯尼亚人？他的相机摇晃、搜寻、追踪和撤退。艺术家克拉丽莎·泰姆找到了拍这部电影的人，并让他再次讲述了这部电影是如何发生的。使用运动跟踪程序，她对原始剪辑执行元数据分析，并计算相机的位置和运动。她将这些数据输入运动控制系统，将光线投射到屏幕上。移动、改变方向、颤抖的光。从叙述、纪录片材料和投射在屏幕上的光之间的相互作用，产生了一种共鸣语料库：一个充满恐惧和焦虑的身体，一个在战争中受伤的身体。现在可以体验的身体。记忆变得有形和可见。创伤从摩天大楼上升到屏幕上，到达观众。
Sarajevo during the siege i...
20世纪90年代波斯尼亚和黑塞哥维那内战结束后，经济体制转向资本主义。然而直到今天，经济还没有真正起飞。因此，资源丰富的社区将自己重新命名为独特的旅游目的地，以促进经济增长。梅德朱戈里是一个国际朝圣圣地，据报道，孩子们在那里看到了圣母玛利亚。维塞格·安德烈（Visegrád）向作家伊沃·安德烈（Ivo Andri）致以敬意，他在附近新建了一片石碑建筑。当图兹拉贫瘠的盐矿停止产生收入时，当局把这些盆地变成了湖泊。据报道，在维索科，一座山丘隐藏着据说可以产生宇宙能量场的金字塔。Igor Drljaa用一台观测照相机显示了这些地方，用当地人的陈述将图像编辑在一起。他轻描淡写地评价了一个仍被过去所掩盖的社会。Kameni Govornici揭示了波斯尼亚和黑塞哥维那作为一个仍在分裂中的国家的多民族身份危机-其居民试图获得立足点，不是通过事实，而是通过宗教...
When this film’s director was still a boy, he stood in front of “Flotel Europa“ and was hugely excited about the prospect of this gigantic ship moored in the port of Copenhagen becoming a new home for him, his mother and his older brother. Together with about 1000 other refugees from the former Yugoslavia, they started life anew on the ship. Like many families did in the early ...
Through a photographic narrative, this film presents texts of Bosnian poet Marko Toma. Marko and Maja are moving flats in Sarajevo. Maja's depression turns Marko's struggle into poetry, and played on the radio, Marko’s poems become the last bridge of communication between them
