从1937年的《女人与海》到60年代的《甜蜜的生活》，Cinecittà是意大利真正的政治试验场。二十五年来，在墨索里尼为保障其法西斯宣传而亲自建立的电影工厂的中心，意大利电影人成功地规避了政治压迫和审查制度，在战争及其破坏中幸存下来，并直面美国的竞争。这些挑战或许意味着意大利电影的末日，但相反，在这些困难中电影人们得到了力量，引领了一批重要的艺术运动和新的电影流派。Cinecittà成为了意大利现实社会中的特殊见证者、一面真实的镜子，特别是成为了意大利在全世界的重要使者
An actress, director and writer. Intense, sensual, eclectic. She began by interpreting existential angst and emptiness, and then she moved on to the films of the golden age of Italian comedy. Talking about Monica Vitti means telling the story of the evolution of Italian cinema. She was an actress "physically" at odds with the chesty pinups of her era, and yet she managed to tra...
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity - Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico F...
“Man of Three Worlds: Luchino Visconti,” a 1966 BBC program exploring Visconti’s mastery of cinema, theater, and opera direction
