When Hitler watches Marlene Dietrich in a movie, he falls in love with her. He persuades her to come back to Germany to be with him, but upon her arrival she constantly insults and provokes him until he eventually , on her command, bites the carpet to bits. Written by Bjoern
Shot in complete darkness during 16 straight hours in an original World War II bunker, the only light source is Christoph Schlingensief's flashlight guiding Voxi Brenklau's camera through the controlled chaos. Neither cast nor crew were allowed to go outside until the film was finished. Laying the groundwork for Schlingensief's later works on- and off-stage as well as his TV S...
某控制论与未来科技研究所的跨时代项目斯莫莱克戎1号，是一种应用高端技术架设微缩世界的电子怪物。它可以针对社会，经济以及政治事件做出精确的预测。由于这个研究项目的创办人兼总监沃尔摩尔教授神秘死亡，所长任命斯蒂勒博士作为这个项目的继任负责人。不久斯蒂勒的同事们发现新总监也开始状若疯狂。然而，随着老友--研究所安全主管劳兹神秘消失事件的不断深入，斯蒂勒渐渐分不清究竟是自己病了，还是身边的世界病了....
《世界旦夕之间》是1973年法斯宾德为电视台制作的两部式科幻电影，改编自伽洛耶出版于1964年的长篇小说《三重模拟》（Simulacron-3），本片后来被好莱坞翻拍成《异次元骇客》（The Thirteenth Floor），并深刻启发了后来的同题材系列电影《黑客帝国》。
施林根西夫是德国电影和戏剧届的一位享有盛名和广受争议的导演，他的作品大多富有挑衅意义，而他的英年早逝亦为他增添了不少光环。
这部关于他生平和作品的纪录片采用了他执导的电影、戏剧和行为艺术片段，并加上了诸多采访段落和许多从未面试的私人录像。影片的主要内容是施林根西夫对于德国历史和社会话题的反思。他切入德国战后社会对于纳粹历史的缄默之中，并质疑公众对这些问题的处理和态度。
本片的导演贝蒂娜·波勒是剪辑师，在施林根西夫生前与之有过多次合作。
一个德国导演试图翻拍意大利导演帕索里尼的《索多玛的120天》，结果事与愿违.....
A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.
The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" t...
A beautiful young housewife, Nora, is trying to convince her tight-laced, bourgeois husband, Torvald, to give her some extra money for the holidays, even if he has to borrow it. Fassbinder's interpretation of "A dolls house".
杰斯科患了白血病，只有移植母亲的骨髓才能得以救治。问题是：母亲20年前患了精神分裂症，在几乎亲手杀害自己的两个儿子后离家出走，后来成了个瘾君子。杰斯科能够重新接受这个不负责任的母亲么？
The subject of this film is a true case that happened in the city of Bremen: The story of citizen Geesche Gottfried (Margit Carstensen), widowed Miltenberger, who killed 15 people, among them her mother, her father, her children, two husbands and other persons from her immediate environs, while her fellow-citizens had considered her a respectable, god-fearing woman. In the end,...
